Cyber Archiving, Interactive Documentary,
and Immersive Experiences for the
Digital Heritage Narratives of Asia
The course aims to offer cross-disciplinary dialogues to
push the boundary of digital narrative by utilizing the cyber archiving, interactive documentary, and immersive experiences.
SIGGRAPH ASIA 2020 | Daegu | 第13届亞洲電腦圖形及互動技術會議展覽 | 南韓・大邱
CODE + : Cyber Archiving, Interactive Documentary, and Immersive
Experiences for the Digital Heritage Narratives of Asia
SIGGRAPH ASIA 2020 | Course | December 4th, 2020
The course aims to push the boundary of digital narrative by utilizing the cyber archiving, interactive documentary, and immersive experiences. This course investigates and explores the integration between cultural heritage and digital conservation, specifically towards the objects, deities, and sites of Asia. Through the reflections of the cultural heritage under the global perspective, the course raises the awareness of heritage conservation towards the origins and the transformations of Asia in the contemporary era.
Presenter: Prof. Chen Wu-Wei
Title: Creative Coding for the Cyber Archiving of Namsan
Presenters: Sun Yunke, Wang Letian
Title: Mapping and Interactive Documentary of Batik Lawyan in Java
Presenters: Zhu Yanru, Xiong Haochen
Title: Mixed Reality Narrative for Erhu Artist Arbin
Closing Session +Q&A
Prof. Chen Wu-Wei｜陳 無 畏 博 士
Assistant Arts Professor
Faculty of Arts and Sciences
Affiliated Faculty of Center for Global Asia
Dr. Chen integrates the concepts of 3D visualization, interactive info-motion design, and digital sculpting into digital heritage content development. Dr. Chen hosts digital heritage forums at SIGGRAPH Asia 2016/2017 and invites interdisciplinary experts (museum contents, architecture, urban planning, curation, and aesthetics) for sharing.
In 2018, during the exhibition "Transference: Images and Archives of Dazu Rock Carvings" curated by Mr. Qin Zhen at the Sichuan Art Academy Museum, Dr. Chen demonstrates the web-based interactive installation of Counting Beads Avalokiteśvara of cave 125 (Beishan area of Dazu Rock Carvings, 960-1127 A.D.) in the form of point cloud visualization; In the same year, Chen also presents the digitization process to the audiences in New York during the “Virtual Journey: Chinese Buddhism Art and Architecture In the Digital Era ” exhibition curated by Ms. Jinyoung Jin at the Charles B. Wang Center; The author further collaborates with art historians and conservators to host Mellon Buddhist Workshop at the FreerSackler Museum in Washington D.C. to share the experiences and conservation/research concepts from the perspective of digital heritage. The smart heritage development of field research, digital documentation, data collection, exhibition, promotion and dissemination gets mature in the process. To push the boundary, further work can be done by utilizing the GIS mapping, AR mobile apps, and Geocinema to integrate the heritage data into more comprehensive digital narrative.
Time Presenter Title
9:10 -10:00 am Prof. Chen Wu-Wei Creative Coding for the Cyber Archiving of Namsan
10:00 -10:05 am 5-min Break
10:10 -11:00 am Sun Yunke, Wang Letian Mapping and Interactive Documentary of Batik Lawyan in Java
11:00 -11: 05 am 5-min Break
11:10 am -12:00 pm Zhu Yanru, Xiong Haochen Mixed Reality Narrative for Erhu Artist Arbin
12:00 -12:30 pm Panel Discussion Closing Session +Q&A
The half-day workshop will be held in the EXCO, Daegu, South Korea (online event) on December 4th, 2020. Practitioners, developers, artists, designers, or participants with the investigative minds in digital narrative are most welcome.