CGA Heritage Lab | Visualization | 12.5 x 10 x 3 mt
Seminar
Focus
Code +
Cyber Archiving, Creative Coding, Data Visualisation and
Interactive Documentary for the Digital Heritage Narratives of Asia
第 13 届 亞 洲 電 腦 圖 形 及 互 動 技 術 會 議 展 覽
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The course aims to offer cross-disciplinary approaches to push the boundary of digital narrative by utilizing the cyber archiving, creative coding, and data visualisation and artificial intelligence.
SIGGRAPH ASIA 2020 | Daegu | 第13届亞洲電腦圖形及互動技術會議展覽 | 南韓・大邱
CODE + : Cyber Archiving, Interactive Documentary, and Immersive
Experiences for the Digital Heritage Narratives of Asia
SIGGRAPH ASIA 2020 | Course | December 4th, 2020
COURSE SYLLABUS
The course aims to push the boundary of digital narrative by utilizing the cyber archiving, interactive documentary, and immersive experiences. This course investigates and explores the integration between cultural heritage and digital conservation, specifically towards the objects, deities, and sites of Asia. Through the reflections of the cultural heritage under the global perspective, the course raises the awareness of heritage conservation towards the origins and the transformations of Asia in the contemporary era.
SCHEDULE
Time: 9:10-10am
Presenter: Prof. Chen Wu-Wei
Title: Creative Coding for the Cyber Archiving of Namsan
Break: 10:00-10:05am
Time: 10:10-11am
Presenters: Sun Yunke, Wang Letian
Title: Mapping and Interactive Documentary of Batik Lawyan in Java
Break: 11-11:05am
Time: 11:10am-12pm
Presenters: Zhu Yanru, Xiong Haochen
Title: Mixed Reality Narrative for Erhu Artist Arbin
Time: 12-12:30pm
Panel Discussion
Closing Session +Q&A
MODERATOR
Chen Wu-Wei, M.F.A., Ph.D.｜陳 無 畏 博 士
Assistant Arts Professor
Faculty of Arts and Science
Affiliated Faculty of Center for Global Asia
NYU Shanghai
Dr. Chen integrates the concepts of 3D visualization, GIS mapping, and cultural data sculpting into digital heritage imaging. Dr. Chen hosts digital heritage forums at SIGGRAPH Asia and invites interdisciplinary experts (museum content, architecture, urban planning, curation, and aesthetics) for sharing.
In the exhibition "Transference: Images and Archives of Dazu Rock Carvings" curated by Mr. Qin Zhen at the Sichuan Art Academy Museum, Dr. Chen demonstrates the web-based interactive installation of Counting Beads Avalokiteśvara of cave No.125 (Beishan area of Dazu Rock Carvings, 960-1127 A.D.) in the form of point cloud visualization; In the same year, Chen also presents the digitization process to the audiences in New York during the “Virtual Journey: Chinese Buddhism Art and Architecture In the Digital Era ” exhibition curated by Ms. Jinyoung Jin at the Charles B. Wang Center. Chen further collaborates with art historians and conservators to host Mellon Buddhist Workshop at the FreerSackler Museum in Washington D.C. to share the experiences and conservation/research concepts from the perspective of digital heritage. To push the boundary, Chen utilizes GIS mapping and Extended Reality(XR) to integrate the heritage data into more comprehensive digital narrative.
陳博士將數字三維可視化、交互動態圖像設計、數字雕塑等理念融入數字文化遺產內容開發，與香港絲路文化協會合作，將犍陀羅時期文物及佛教造像予以三維可視化，並導入網路交互閱覽平台。陳博士亦於亞洲電腦圖形及互動技術會展中，主持數字文化遺產論壇，廣邀美、德等國在博物館內容、建築、都會發展、當代藝術策展及美學等方向學有專精的人士，分享經驗。
SAMPLE WORK
SCHEDULE
Time Presenter Title
9:10 -10:00 am Prof. Chen Wu-Wei Creative Coding for the Cyber Archiving of Namsan
10:00 -10:05 am 5-min Break
10:10 -11:00 am Sun Yunke, Wang Letian Mapping and Interactive Documentary of Batik Lawyan in Java
11:00 -11: 05 am 5-min Break
11:10 am -12:00 pm Zhu Yanru, Xiong Haochen Mixed Reality Narrative for Erhu Artist Arbin
12:00 -12:30 pm Panel Discussion Closing Session +Q&A
ELIGIBLE
The half-day workshop will be held in the EXCO, Daegu, South Korea (online event) on December 4th, 2020. Practitioners, developers, artists, designers, or participants with the investigative minds in digital narrative are most welcome.
本課程於2020年12月4日在南韓大邱舉行(在線會議)。誠摯歡迎投入數位敘事的業界先進及觀眾們熱情參與。