SIGGRAPH ASIA 2016 Workshop

第9届亞洲電腦圖形及互動技術會議展覽

Objectives and Background

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​工作營目標|背景

 

SIGGRAPH ASIA 2016 | Workshop | December 2016                       

DIGITAL HERITAGE : DIGITAL SCULPTING, PROJECTION MAPPING AND BEYOND"

OBJECTIVE

The 2016 “Digital Heritage: Digital Sculpting, Projection Mapping and Beyond” aims to explore the tangible / intangible aspects of digital heritage conservation, and the utilisation of computer graphics technology to broaden the format of narrative and messaging of cultural heritage conservation. Digital sculpting and projection mapping will be the main technical aspects to explore narrative of digital heritage conservation for further protecting, educating and consolidating “building dwelling thinking” through digital heritage preservation.

2016 年數字文化遺產講座,志在探索文化遺產保育的物質/非物質領域,運用電腦圖像技術,拓展文化遺產的敘事結構,及保育訊息傳播。技術探討方向將面向數位雕塑,投影貼圖,以及相關科技在數位文化遺產保育、教育等建立棲居思維的運用。

 

BACKGROUND

Two ancient cities at the nodal points of Asia region on the Silk Road, Gandhāra (now Peshawar) and Heian-Kyō(now Kyoto), possess the great heritage of culture and religion. Kyoto's ancient name Heian-Kyō, "city as peace and tranquility", indicates the wish for poetic dwelling on the land. To-ji Temple, listed as one of the UNESCO world heritage sites at Kyoto since 1994, symbolizes the beginning of Esoteric Buddhism in Japan. It inherits the ancient wooden carpentry architecture code and civic engineering. Monk Kukai’s 3D Mandala at Lecture Hall in To-ji, not only includes the intangible deity-making techniques / tangible cultural heritage, but also represents the inter-cultural significance of religious art, graphic design and belief. To-ji Temple has luckily survived from natural disasters, political instabilities and World War II demolishment in Japan. Its conservation and sustainability become even more significant.

 

Gandhāra(now Peshawar), situated at the border between Afghanistan, Pakistan and China, has even earlier history of culture and business activities since 1AD. Findings of numerous deities and sculptures at various sites of Peshawar, Taxila, Swat, Hadda and Bamiyan further prove the inter-cultural influence of the era.

古絲路亞洲區域的兩座古城 - 犍陀羅 (白沙瓦 Peshawar) 與平安京(京都 Kyoto),象徵著人類文化、商業與宗教的豐碩遺產。京都,古名“平安京”,字面意義蘊含了在土地上詩意棲居的想望。而在日本平安時代開始興建的東寺,於1994年名列聯合國教科文組織世界遺產遺址。東寺,同時也代表著日本真言宗佛教的開端,以及古代木建築技藝與都市規劃的典範。僧侶空海在東寺講堂設立的立體曼陀羅,不但結合了手工佛像製作藝術的非物質遺產 / 建築遺址的物質遺產,也代表著宗教藝術、平面設計、信仰的跨文化交流。東寺得以幸運地在天災、政變與世界大戰後完整保留,其永續保育的價值,不言而喻。

 

犍陀羅 (Gandhara, 今日的白沙瓦 Peshawar) ,位居阿富汗、巴基斯坦與中國的交界,擁有較京都更為遠古的文化商業活動史蹟。大量犍陀羅時期古蹟及遺址的發現 - 白沙瓦、塔克西拉、斯瓦特、哈達、巴米揚,進一步見證跨文化交流的時代意義。

 

PRESENTER | CHEN WU-WEI

Alvin Chen has served in broadcast industry as videographer, non-linear video editor as well as motion graphic designer and animator. Chen has also worked in Taiwan, New York, Beijing and Hong Kong as

professional and educator at PTS, CTN, Artichoke.tv, Shih Chien University, Communication University of China, Hong Kong Design Institute and SCAD HK. Chen’s publications include PhD dissertation Body Aesthetics in Digital Performance and China Animation Yearbook.

陳無畏博士現任職於紐約大學上海校區,之前執教美國設計大學香港校區達六年。曾於廣播電視產業任職攝影助理、非線性剪輯師、動態圖像設計師及動畫師。陳博士亦曾在台灣、紐約、北京及香港工作及教學。任職電視台含括公共電視、傳訊電視及紐約 Artichoke.tv。任教大學則有實踐設計學院媒體傳達設計系、中國傳媒大學動畫學院、香港知專設計學院、以及薩凡納藝術設計大學。陳博士研究論文為『數位表演藝術中的身體美學』,其港澳地區動漫調研,亦收錄於『2009-2010年中國動漫產業報告』。

近年來陳博士將數字三維可視化、交互動態圖像設計、數字雕塑等理念融入數字文化遺產內容開發,與香港絲路文化協會合作,將犍陀羅時期文物及佛教造像予以三維可視化,並導入網路交互閱覽平台。陳博士亦於2016年第九屆亞洲電腦圖形及互動技術會展中,主持數字文化遺產論壇,廣邀美、德等國在博物館內容、建築、都會發展、當代藝術策展及美學等方向學有專精的人士,分享經驗。陳博士的最新論文,亦獲選2017年法國里昂揭幕的歐洲電腦圖像協會會議。

 

CO-PRESENTER | JOHN COLETTE

John Colette is a Professor of Motion Media Design at the Savannah College of Art and Design in Savannah Georgia, where he previously served for five years as Department Chair. With a background of 36 years in Media production, John established the digital media program at the National Film School in Australia, where he also worked on the School Executive. John has developed large scale media installations for public spaces and visitor experiences for over 20 years, including the Museum of Sydney, the National Museum of Australia, The National Film and Sound Archive, and Samitaur Tower in Culver City, Los Angeles. John has served as an educational consultant for the Australian Government, the UCLA School of Theatre Film and Television and CILECT. John was previously a faculty member of the University of New South Wales Art + Design School, and the creative director of Pixelmill Films, a full service production company in Sydney Australia.

約翰・克萊特教授任教於薩凡納藝術設計大學,並曾擔任動態媒體設計系系主任長達五年。克萊特教授在傳媒界擁有三十六年實務經驗,曾為澳洲國家電影學校建立數位媒體系,並兼職校務管理。在此二十年間,克萊特教授創作了大量的公共空間媒體裝置作品,供遊者體驗,其中包括了悉尼博物館,國家電影影音資料庫,以及美國加州洛杉磯薩米陶爾大樓內部的裝置作品。克萊特教授亦曾為澳洲政府、加州大學劇場電影與電視學院及 CILET 擔任教育顧問。克萊特教授曾任教於澳洲新南威爾斯大學藝術設計學院,並曾於澳洲悉尼影視製作工司 Pixelmill Films 擔任創意總監。

 

CO-PRESENTER | YOU MI

Mi You 由宓 (Cologne / Beijing) is a curator, researcher and artist. She works as academic staff at Academy of Media Arts Cologne, where she lectures on global arts with a social-political, transhistorical and transcultural perspective. She has worked in film and theater with professionals such as LU Chuan, TIM Yip, LIN Zhaohua and Paper Tiger Studio. She has also worked as curator of artistic and urban research projects that were shown in Shenzhen/Hong Kong Bi-City Biennial of Architecture and Urbanism (2007), Beijing Design Week (2011,2012), Istanbul Design Biennale (2012), Lisbon Triennale and Athens Biennale (2013).Her current (artistic) research and curatorial project takes the Silk Road as a figuration for anti-nationalist, de-centralized and nomadic imageries. Under this rubric she has curated a series of performative programs at Asian Culture Center Theater in Gwangju, South Korea in 2016, and she is curating the 1st International Ulaanbaatar Media Art Festival in Mongolia. Her recent writings appear on Performance Research, Kaleidoscope, publication of Sharjah Art Foundation, among others.Mi You is fellow of Independent Curators International, Zentrum Paul Klee and Alexander von Humboldt Foundation.

 

由宓教授目前任職於德國科隆媒體藝術學院,授課內容聚焦於社會政治、跨歷史、跨文化等複合視野下的全球藝術,並身兼策展人、研究學者與藝術家身份:由宓教授曾任職於紙老虎工作室,與電影、劇場導演如陸川、林兆華等合作,亦曾擔任《城市\建築深圳・香港雙城雙年展》藝術與都會研究項目、北京設計週、伊斯坦堡設計雙年展、里斯本三年展、亞森斯雙年展等策展人。學術研究論文發表於諸多專業期刊,並獲多項獎學金挹注。

 

CONTRIBUTOR | ROBERT DICKENSHEETS

Robert Dickensheets, former SCAD Director of External Relations in Savannah, previously held a post as the Vice president SCAD Hong Kong. As the director of construction and preservation, Mr. Dickensheets acted as a project manager and SCAD representative during the university’s conservation and adaptive rehabilitation of the historic North Kowloon Magistracy Building as it was transformed into SCAD Hong Kong. The 2011 UNESCO Asia-Pacific Heritage Awards for Culture Heritage Conservation has recognised SCAD for the building’s innovative revitalization.

During his association of over 24 years with SCAD, Mr. Dickensheets has served as a public service coordinator and preservation specialist, European director of special projects, and historic preservation professor and department chair. His experience in these roles spans the university’s rehabilitation of SCAD Atlanta’s historic Ivy Hall to overseeing award-winning conservation projects in Savannah and Sapelo Island, Georgia, and Lacoste, France as well as many other projects around the world.

羅伯・迪肯席先生曾任職美國薩凡納藝術設計大學對外關係部主任、及香港校區副總裁。薩凡納藝術設計大學香港校區保育活化工程期間,迪肯席先生亦為建築保育主任,與香港政府合作,將古蹟建築 - 北九龍裁判處大樓 - 轉化為薩凡納藝術設計大學香港校區教學大樓。2011年,迪肯席先生創新保育活化工程的成功,使薩凡納藝術設計大學香港校區教學大樓榮獲『聯合國教科文組織亞太區文物古蹟保護獎』。

迪肯席先生於薩凡納藝術設計大學服務長達24年,期間曾負責公益保育項目、歐洲校區專案主任、歷史古蹟保育系教授暨系主任。迪肯席先生在職期間,完成的保育項目,遍及亞特蘭大校區歷史建築『常春藤大樓』、薩凡納及喬治亞地區獲獎保育項目、法國普羅旺斯校區及全球諸多地點。

 

 

SAMPLE WORK

 

SCHEDULE 

 

Time                           Presenter                     Title 

 

2:15-3:15        pm              Mr. Chen Wu Wei                 Crafting for Spirituality : A Pedagogic Project for Digital Heritage

 

3:25-4:25        pm              Mr. John Colette                  Projection Mapping for Digital Heritage and Beyond (TBC)

 

4:35-4:55        pm              Ms. You Mi                            Digital Confucianism (TBC)

4:55-5:15        pm              Andrzej Zarzycki                 Panel Discussion 

5:15-5:30        pm              Closing Session +Q&A       

ELIGIBLE

Participants equipped with digital sculpting skills, projection mapping experiences or enthusiastic in digital heritage narrative / conservation are most welcome.

  

講座於2016年在澳門威尼斯人會展中心舉行。誠摯歡迎對於數位雕塑、投影貼圖,以及熱心投入數位文化遺產保育的觀眾參與